§ At ANN Justin Sevakis, asks Are Manga Sales Increasing in the US? and if you read this blog religiously every day like all good Americans, you know the answer is “Yes” already, but if you want a new summation here you go: (Think Tula Lotay’s color overlays, or Dave Stewart’s classic flat color on Hellboy, or Jordie Bellaire’s enormous fan club.) Anyway, I look forward to more installments of this MUST READ, I’ve often said that fewer people “get” coloring than any other comics discipline, even though it increasingly has the most impact on how art is received. Every piece of art is completely different, and that’s all on the colorist. This first column defines terms like color hold and flatter with all kinds of examples, like the above selection of flatted color by different colorists. but leaves out horrible would-be video game coloring, but I guess she’ll get to that. Louise explains four different kinds of coloring: § This new column by Marissa Louise is the best thing I’ve ever read about coloring comics. Regardless, these were fun a lot of fun to draw and Kate and I got to bond over our love of Michelle Pfeiffer’s Catwoman. We had a lot of fun ideas for the series overall, but in the end it was turned down. It also would have showcased the turn of Billy Dee Williams’ Harvey Dent into Two-Face. We would have seen the return of Selina Kyle/ Catwoman as well as introductions to ‘Burton-verse’ versions of Robin, Barbara Gordon/Batgirl, Harley Quinn and Poison Ivy. Inspired by DC’s recent Batman ‘66 series, our story would have picked up the threads left by Tim Burton’s Batman Returns. Quinones recently posted the art for the pitch on his blog:Ībove is a bunch of proof of concept art I did for a Batman miniseries pitch Kate Leth and I put together last year. of Rejected Pitches: It seems that after the success of Batman ’66 and Wonder Woman ’77, based on the Adam West TV show, Joe Quinones (Howard the Duck) and Kate Leth (Hellcat) pitched DC on Batman ’89, a take on the caped crusader based on Tim Burton’s films.
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